Orbit
Japanese Ink, Permanent Ink Pencil
​2020
10" x 12"

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 Underlying Structures 
Monoprint, (Ink), acrylic on paper
2021
26"x 32"

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Blips in Time
Monoprint, (Ink), acrylic, enamel  on paper
​2020
26"x 32"

​Event Horizon
Acrylic, Ink, Spray Paint on wood panel
2017-2019
4' x 4'

Moon Strip
Acrylic, Ink, Spray Paint on wood panel
​2017
4' x 4'

1. I don't know how to be sexy in this element. 
The air makes everything move too fast.
In the days when I lived underwater I felt textures of things that lived, grew and formed in liquid; my hand passed over the infinite silkiness of a sea cucumber, the bright metal flecks of a fish; abalone saucers like the ones distributed under coffee cups in the cafe.

2. Rough oysters, razor mussel shells, blast and sting of anemone, all experienced through slow sway and cold and viscosity unlike anything I'll ever know again.
​I had nothing to tell that world, couldn't speak if I wanted to, only ghastly underwater yells that blurred words to meaninglessness. 

3. We signed, we made facial expressions and I kept to myself as much as I could. I succeeded so thoroughly that the words no longer came to me, not in passing a human, swimming by, not in messages sent ashore - who will I write, then - nor, even in the moment when it counted, when I watched the people around me begin to fade, when their faces pressed the green glass and I couldn't - or wouldn't - lift the cable to speak to those above.
​That time is gone.

4. My life had been change, on the surface, a constant internal and external adjustment, like I was a tacky lawn ornament, spinning wildly with the prevailing metaphoric winds.
 Of course when I returned to the surface, I discovered that in the interim, submersion had become unnecessary.
​We know which pier extends the farthest, and we follow that one.

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Submersion-Scapes Series
Ink, photo, and acrylic on board
​2019
10" x 12"
Writing: Excerpts by Kirsten Madsen (KIAC Berton House Writer in Residence 2019)
Layout designed by Jon Deline
Audio-Scape by Nate Wood (link to audio file available soon)

At a Loss
India ink, Acrylic, Enamel on paper
​2017-2019
22" x 30"

1. She is an Egg.      2. She is a Path
Japanese Ink, Acrylic on Canvas
​2017
22" x 30"

The Space Between Things
India ink, Acrylic on paper
​2017
10" x 16"

Marsh Float Series
Monoprint (ink), acrylic, ink pencil drawing on paper
​2014
22" x 30"

Cosmic Scapes
Acrylic on paper
2011
9" x 14"

Between 
Monoprint, (Ink), acrylic on paper
​2014
26"x 32"

Elements Series
acrylic on wood panel
​2011
4' x 4'

Towers of Grief
Monoprint ink, acrylic ink on paper
​2016
22" x 30"

Supernova
acrylic on found cedar,  assemblage
​2011
9" x 14"

Off Cuts Series - miniatures
acrylic on found wood, assemblage
​2011
2" x 2" to 6" x 8"

Patterns and Rhythms Series
acrylic on wood panel
​2010
22" x 22"

Behind All This
acrylic, ink on grid paper
​2009
8.5" x 11"

Land Resolve Series
acrylic on wood panel
​2005
22" x 22"

In-Let Series
acrylic, watercolor on paper
​2005
6" x 8.5"

)High Society 
oil, encaustic on canvas
​2002
2.5' x 4'
​(Published in the University of California (Irvine) Art & Literature Journal - 2002)

​Scrutiny 
oil, encaustic, paper, hair  on recycled Wooden Doors, photos on vellum in door handle
2000
2.5' x 7.5'

​Mode Series
oil, encaustic on canvas
​2001
2.5' x 4'